Costume course - MONDEL – L’Atelier du Cinéma – Training Center for Technical Cinema and Television Professions

Costume

The costume designer is responsible for the costumes that will be worn by the performers during the production. They work to realize the vision and creative guidelines established by the director and, if applicable, the costume creator or the producer or one of their representatives.

More specifically (but without limiting the foregoing), the costume designer performs, non-exclusively, most or all of the following tasks:

  • conducts research and makes suggestions (especially in the form of images or sketches) to production managers to determine the style of costumes required for the production, all within the financial framework set by the producer;
  • buys, rents, designs, manufactures, etc., the costumes worn by the performers, in accordance with the financial framework set by the producer;
  • ensures the handling, maintenance, cleaning, and storage of costumes required for the production;
  • if necessary, they perform certain administrative tasks related to costume management for the production and communicates with casting agents;
  • during recording, they may assist performers in dressing and make certain adjustments, if required. In addition to the tasks mentioned above, the costume designer may be responsible for planning, coordinating, and supervising the work of the wardrobe team.

The assistant costume designer works under the supervision of the costume designer or, if applicable, the head costume designer and performs, at the request of their supervisor, various tasks related to costumes used in the production.

*Please note that the use of the masculine gender has been adopted to facilitate reading and has no discriminatory intent.

Course plan

  • Costume Designer – from workshop to set
  • Costume Designer – Basic Structure and Organigram – Workshop basic-set
  • Costume Designer – Roles-extras
  • Design workshop – Scenario, reading and breakdown
  • Design workshop – Research & visuals
  • Design workshop – Creation & concept
  • Design workshop – Casting
  • Design workshop – CCM
  • Design workshop – Fittings
  • Design workshop – Approvals
  • Management workshop – Team, budget, expense account
  • Management workshop – Purchases & returns contemporary in 2024
  • Management workshop – Online purchase & return
  • Management workshop – Rental & return
  • Management workshop – Manufacturing
  • Management workshop – Dyeing and patina
  • Management workshop – Alterations & modifications
  • Management workshop – Line-ups & delivery
  • Management workshop – Wrap management
  • Set – Reading call sheet
  • Set – Etiquette & respect
  • Set – Basecamp versus set
  • Set – Continuity, matching and data entry
  • Set – Line-ups & reception
  • Set – Management of dressing rooms & laundry
  • Set – Line-up for the next day
  • Set – Daily wrap and production
  • Set – Stunts, 2nd unit, child and animals
  • Set – Cold, water, sweat, blood, dust, wear, holes, tears…
  • Software knowledge (Word, excel, dropbox, PDF,..)
  • Practical situation: Workshop and set
  • The portfolio and self-promotion

Mandatory basic general course

Here is the content of the mandatory basic general course for all training:

  • “Masterclass” type conference for everyone
  • History of Quebec cinema
  • First aid course
  • Teamwork / Interaction with other departments / Hierarchy
  • Understanding of hazardous products (WHMIS)
  • Occupational health and safety. Ergonomics advice/Thermal control (cold and hot). Fire zone (fires, propane, gas). Fire line-corridor
  • Criminal and penal responsibilities
  • New sanitary measures (COVID).
  • Physical and psychological harassment
  • Stowing (general), SAAQ road code.
  • Transportation Policies-Drugs, Alcohol, tickets, fines. ATV-Golf cart
  • Awareness of residents and the unpredictables of locations-Impact on shooting locations-living environment
  • Understanding of direction and production documents
  • Understand the chain of all departments associated with a production
  • Application of green sets
  • Equipment responsibilities
  • Thorough knowledge of the AQTIS-514-IATSE union agreement
  • Introduction to associative life – AQTIS 514 IATSE
  • What is a producer? Role in production and interaction with the technical team
  • Relationship between the actor’s profession and technicians
  • Personal finance